— bell hooks, cultural criticism — rap: authentic expression or market construct? (via sacraments)
(Source: ellesugars, via sacraments)
2013/05/19
695 notes
695 notes
Eva Hesse “Ennead” 1966 x Jil Sander S/S 09
(Source: dustulator, via girlinternet)
2013/05/19
162 notes
162 notes
Rebels of the Neon God (1992), Tsai Ming-liang
(Source: givemefreshtofu, via love-less)
2013/05/19
43 notes
43 notes
Easy Listening
Numéro, August 2008
Photographers: Sofia Sanchez & Mauro Mongiello
Model: Hilary Rhoda
Louis Vuitton, Fall 2008
(via isthishardcore)
“
Rap music is so diverse in its themes, its style, its content but when it becomes a vehicle to be talked about in mainstream news, the rap that gets in national news is always the rap music that perpetuates misogyny that is most obscene in its lyrics and then this comes to stand for what rap is. Really its for me the perfect paradigm of colonialism, that is to say, we think of rap music as a little third-world country, that young white consumers are able to go to and take out of it whatever they want. We would have to acknowledge that what young white consumers, primarily male, oftentimes suburban, most got energized by in rap music was misogyny, obscenity, pugilistic eroticism and therefore that form of rap began to make the largest sums of money.
— bell hooks, cultural criticism — rap: authentic expression or market construct? (via sacraments)
— bell hooks, cultural criticism — rap: authentic expression or market construct? (via sacraments)
